6,6 / 10 star

Meet a new kind of action hero. Six untraceable agents, totally off the grid. They've buried their pasts so they can change the future

Michael Bay

117419 Vote

Genres=Action

Runtime=2 hours 8 Minutes

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Tom aged well, I see. He looks cooler now than he did when he was younger. That ending of the trailer tho. 6 illegals arrested in nc. The latest 6 Underground (film) videos on Dailymotion. Mélanie Laurent saying Bonjour. That's it. That's the only thing I needed. Who's here after watching the trailer with the professor of the money heist. I really wasn't expecting to see the Netflix logo there. The Big N wins with this one.

“For 27 years I dreamt of you I craved you I missed you” DEMONITIZED. Is this a serious movie or funny movie. Ryan Reynolds is now more like a funny character. 6 illegal immigrants arrested. This movie is amazing. 6 illegal interview questions.

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This feels like a transformers movie without the transformers. 6 illegal drugs pictures and their names. 29 34 MULAN desney are runing out of ideas and they just make every sngle movie with real live actors.

This movie is soo frinkin good. Loved it. Waiting for the sequel

These movies and series aren't well known, but are definitely worth the watch. Movies: What Happened to Monday. A dystopian movie about a world where families are allowed only one child due to overpopulation, resourceful identical septuplets must avoid governmental execution and dangerous infighting while investigating the disappearance of one of their own It's dark with lots of action and some interesting twists. I Don't Feel At Home in This World Anymore. Equal parts comedic and dark, a very original movie about a pair of misfits and the mess they end up in. Tell Me Who I Am. An incredibly sad and moving documentary about a twin brother who loses his memory after a motorcycle accident and the secrets that he uncovers after he learns more about his shared history with his brother. Bushwick. An unknown military force invades a neighborhood in Brooklyn, called Bushwick. It's an odd premise, but if you can look past it, it's a fun nonstop action movie in which the residents flee, and have to put up a fight. Hungerford. Sinister forces invade Britain. Free Fire. A large cast of characters, and a shoot out in a warehouse. A fun action movie. A bit of a Quentin Tarrantino vibe to it. Good Knows Where I Am. A documentary about a mentally ill woman and the last months of her life holed up as a squatter in a house as told by her diary. Sad but really moving. Lucid Dream. A Korean language movie about a man who tries to track down his kidnapped son through lucid dreaming. In the Shadow of Iris. A French language movie about the disappearance of the wife of a rich banker in Paris, and a young mechanic in debt who may be linked to the abduction. Lots of twists and turns. Close. A bodyguard and counter-terrorism expert is assigned to safeguard a wealthy heiress when a kidnapping forces them both to go on the run. Some fun action sequences. ARQ. A movie about a man stuck in a time loop who uncovers surprising secrets as he traverses the loop over and over again. Here Alone. A woman, alone in the woods, learns how to survive a world in which zombies have taken over; things get complicated when strangers appear. It's a very well done story. Not your typical over the top zombie movie Haywire. Secret agents fighting secret agents. The Girl with All the Gifts. Child zombies who are intelligent and sentient living in an underground government facility. Freaks. A man keeps his daughter barricaded into their home. Is he crazy and controlling? Or is he protecting her from something? Good People. A couple discover a cache of cash in a dead tenant's apartment. Bad things ensue 22 July. A Norwegian movie about the true story of an attack by a white supremacist terrorist against children at a camp on an island. Very well done. iBoy. A teenager wakes from a coma to discover that fragments from his broken smartphone have been embedded into his brain and turned him into an actualized app with super human powers. Mirage. A Spanish language film about a space-time continuum glitch which allows a woman to save a boy's life 25 years in the past, but results in unintended consequences. In the Shadow of the Moon. A cop tracks a serial killer who resurfaces every nine years. But when the killer's crimes defy all scientific explanation, the officer's obsession threatens to destroy everything. An interesting twist. Forgotten. A Korean language film about an abducted brother who returns as seemingly a different man with no memory of the past 19 days. How It Ends. In the midst of an apocalypse, a man struggles to reach his pregnant wife, who is thousands of miles away. I Am Mother. A teenage girl is raised by a robot designed to repopulate Earth. A stranger's arrival brings conflict. It has some interesting twists. Extinction. An alien invasion brings some surprising revelations. Tau. A woman is trapped inside by a house controlled by a computer system Shimmer Lake. Twists and turns follow a bank robbery. The Rover. A dystopian movie set in the Australian outback involving lawlessness, conflicts, and the stealing of a car. The Legend of Cocaine Island. A documentary that feels like a mockumentary made by the Coen brothers or an episode of Fargo, about an unwitting man and a legend about a cache of cocaine buried on a island and the weird cast of characters who become involved. Equilibrium. In a futuristic world, a regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Automata. During a routine investigation involving robot manipulation, an insurance agent at a robotics company makes a discovery that has profound consequences for the human race. Anon. In the near future, private memories are recorded and crime has almost ceased to exist. But in trying to solve a series of murders, a detective stumbles upon a young woman known only as "The Girl. " She has no identity, no history and is invisible to the cops. Calibre. Childhood buddies go on a hunting trip in Scotland and bad things happen, followed by worse things. Kidnapping Stella. A German language movie about a woman who is kidnapped and everything that goes wrong as a result. Rebirth. A rebirth seminar turns into an experience from hell. 9. An animated movie about a post human society where evil machines rule the world and rag dolls are sentient. A very unique story. My Life as a Zucchini. An animated french language film about a young boy sent to a foster home with other orphans his age where he begins to learn the meaning of trust and true love. Really for older kids or adults because it has some dark themes. Series: Marcella. A British detective may or may not be involved in a murder that she is investigating because she suffers inexplicable blackouts. The Fall. A British detective on loan to Northern Ireland involved in a cat and mouse chase for a serial killer. Really exceptional acting. Happy Valley. A British crime series about a kidnapping. The Five. A mini series about friends reuniting over the disappearance of the brother of one of them when they were children. Retribution. A murder and the ensuing cover up is more than it seems. Safe. A girl disappears from her neighborhood. Secrets are uncovered. Godless. A western about a group of outlaws and a confrontation with the women of a western town. Quicksand. A Swedish language series about the events leading up to and the aftermath of a school shooting and the trial of a girl who may be involved. 3%. A Brazilian series about a dystopian future in which youth compete in a series of challenges in order to win a place on an offshore utopia. A bit like the Hunger Games with less violence. Erased. A Japanese language series about a man, after finding his mom killed, travels back 18 years in time for a chance to prevent her death and those of three classmates. The Rain. A Danish dystopian series about the rain wiping out most of the population as it carries a deadly virus. Occupied. A Norwegian language series about a Russian invasion of Norway. Re: Mind. A Japanese language horror story about high school classmates who find themselves held hostage and restrained in a large dining room. The Forest. A French language crime thriller about a murdered girl and the secrets that the investigation uncovers. Black Spot. A French language crime series about a police inspector who investigates a string of murders in a town where the murder rate is six times higher than the rest of the country Unbelievable. Based on a true story about a serial rapist and a young woman who is persecuted by the police when she reports her rape. Alias Grace. Based on a Margaret Atwood novel. About a poor Irish immigrant and domestic servant in Upper Canada who is accused and convicted of the 1843 murder of her employer and his housekeeper. Murder Mountain. A true crime series about a private detective hired to find out what happened to a man's son who disappeared in the notorious "murder mountain" region of Humboldt county California where illegal marijuana farms flourish and where they are a law unto themselves. The Keepers. A true crime series about a murdered nun, sexual abuse at a Catholic high school and the allegations of involvement by priests and the Baltimore police department. It's insane. The first episode is a bit slow, but stick with it, it is worth the watch. Warning: it is very dark. The Innocent Man. About innocent men imprisoned for murder. This is based on John Grisham's true crime book. The Staircase. About a man convicted of his wife's murder and the ensuing fight to get his conviction overturned. Have any lesser known movies or series you want to add? Please do so below. Thank you! ETA: Sadly, the following shows are no longer available on Netflix in the United States: The Fall, Happy Valley. Previously misspelled "ARQ" as "ARC". Good News! The Fall is no longer on Netflix but is free on Amazon Prime!

Ryan Reynolds rlly becoming the new Nicholas Cage. love the content tho. If they dont put the song 6 Underground in this movie I'm not going to my funeral. I CAN'T TAKE DEADPOOL'S FACE WHEN HE SPEAKS. Bought the BluRay/DVD/Digital copy today! Love this movie & the first one! I was going to wait for the Directors cut before purchasing the movie, but I couldn't. HAD to get it today. I love how the movie manages to look like a transformers movie without having any transformers in it. I recently watched George Lucas's two earliest films, THX 1138 (1971) and American Graffiti (1973). Lucas is known for big-budget adventure movies (mostly Star Wars and Indiana Jones), but these two films are outliers in his career. They're low-budget indie features (both produced for for under $1 million), more mature and experimental that Lucas's later movies. Given Lucas later defined blockbuster filmmaking, it's fascinating to see these films as part of the 1970s New Wave, as maverick as anything by Martin Scorsese or Brian de Palma. If Star Wars hadn't been successful, these films indicate what George Lucas might have been and, as much as I love big-budget adventure movies, it’s interesting that Lucas was once a very different filmmaker. Here are my thoughts on these two very interesting films: THX 1138 A chilling dystopian science fiction film, THX 1138 is set in a fascist underground city in the 25th Century, where people dress all in white and are numbered rather than named ("THX 1138" is the main character), subservient to a never-seen god-like ruler and his army of android police officers. The most impressive thing is how much Lucas managed to achieve with so little. With less than a million dollars and shooting in industrial locations in San Francisco (including a then-unfinished underground railway), Lucas created an immersive futuristic world. Using unusual camera angles and minimalist design to evoke the setting is innovative and downright genius. There is nothing amateurish or rough-around-the-edges here, the suspension of disbelief is never broken, which is incredible given the tight resources. The influence of 2001: A Space Odyssey is undeniable, and Lucas effectively recreates Stanley Kubrick's visual style but on a fraction of the budget. Which is good, because the movie rests on atmosphere alone. The minimalist design, creepy sound effects, and sumptuous visual style tells the entire story. Lucas once described the Star Wars prequels as being essentially silent films, telling the story visually and musically rather than with dialogue. The same holds true for THX 1138, with has little dialogue and no real story, but is full of interesting ideas and well-crafted scenes, most of which are entirely visual and silent. The film is entertaining and impressively made, and at just under 90 minutes, it can just be forgiven for its shaggy story. The film is interesting, grappling with the theme of whether it’s better to live in an oppressive yet safe bubble, or escape to a cold, uncaring, free world. That pertains to Lucas himself, then a recent college graduate facing the realization that the world doesn’t care, and also an indie filmmaker shunning the oppression of major studios – and entering the cutthroat world of independent filmmaking. Is it better to make a studio movie where you have no control but are protected by a safety net, or to struggle to make indie films where the risk of failure looms large? The film has countless more themes, like the idea that dictatorships arise because people voluntarily give their power to dictators and rely on people subjecting themselves to oppression (THX 1138 works in a factory that produces the androids that oppress him). These themes can be seen in the Star Wars franchise. To say it’s pretensions would be missing the point. It was made by an ambitious young filmmaker from San Francisco. Of course it's pretensions. As I’ve said, the story is shaggy and awkwardly written, clearly believing it’s much more intelligent than it is. To me – and this may be controversial – the film is reminiscent of Mean Streets, because the ideas are interesting and the style outstanding, but it isn’t about anything and it's often listless, even pointless. THX 1138 is just wandering around for an hour and a half, flirting with interesting ideas but never integrating them into the story. But still, it’s fascinating and well-crafted, with great editing and impressive action sequences. The car chase is dazzling, and the final shot is one of the most iconic in all cinema. I’d hasten to call it a great film, but THX 1138 is an impressive debut and is worth watching. American Graffiti A nostalgic coming-of-age comedy, American Graffiti is an ensemble film about a group of small-town teenagers in the early 1960s, trying to have a memorable last night before going to college the following morning. The story weaves together four vignettes, following different characters over the course of a single night. The story goes that the box office failure of THX 1138, coupled with the advice of his mentor Francis Ford Coppola, led Lucas to make a more mainstream second film. Settling on a teen comedy that recreated the small-town cruising that defined Lucas's youth in Modesto, California, he made American Graffiti, a masterpiece on every level. It's a perfect movie. Anyone who tries to slander George Lucas and say that he's talentless hack who relies on other people to be successful needs to see this movie. As great as his later work is, American Graffiti is arguably Lucas's best film. Like the cars it features, American Graffiti is a slick period piece with sleek design and precise structure, eye-catching on the surface and powerfully crafted underneath. Set in 1962, a decade before its release, the film recreates an era that even to audiences in 1973 seemed distant and antiquated, proof - if any were needed - that the 1960s were a turbulent decade of change. Dealing with similar themes to THX 1138, albeit in a more accessible and satisfying way, both films depict characters feeling constricted by an oppressive society (in this case, a conservative small town) but being scared to escape to a larger, uncaring world (going to college) and feature an omnipresent, little understood god-like figure (a radio DJ whose station plays throughout the film). But where THX 1138 was distant and set in a world we never fully understand, American Graffiti is relatable. Much like Star Wars, Lucas's achievement here is taking a niche premise and finding the human element in it. There's a realism in this film that most teen movies lack, the characters don't philosophize, they talk like regular teenagers, and the themes are delivered subtlety. The story is thin, but American Graffiti has weighty themes and characters and isn’t heavy-handed. The characters are fully realised and their stories challenge their worldview and help them grow. That rigid structure makes the film satisfying because the characters seem real, not movie clichés. At the same time, the film's format (intercutting four separate storylines) makes the film feel unhinged, much like real life. This is masterful film structure disguised as real-life randomness. The characters feel so real because they're all versions of Lucas at different points in his youth: Terry, a nerdy teenager whose attempts to act older than he his lead him to become hopelessly out of his depth, and in the end realizing there's nothing wrong with a being a kid Steve, an ideal American teenager, who throws away the things he has in the hopes of finding something new, only to realise how much he actually cares about the things he has when threatened with losing them Curt, an outsider who is uncertain which path he should take, ignoring the obvious opportunity in front him while searching for some dream that could never come true, and realizing that the way people perceive the world is often different to how it really is John, a rebellious hot-rod racer who comes to realise that his rebellions are just externalizations of his insecurities that he’s wasting his life, and realizing that he's never really grown up And there we have it. Four interesting central characters, all providing different takes on the malaise of growing up and the end of an era (both their childhood, the the American era that ended with JFK's assassination a year after the film's setting). And the title? Well, like graffiti scrawled on some wall, the characters's childhood and cruising lifestyle is a whole lot of style and expression that really doesn't mean that much in the cold light of day. The film takes place at night, with the final scene being set the following morning. And it's only in that final scene that the characters finally see their childhoods in the cold light of day. Uniquely American graffiti, indeed. There's so much interesting stuff happening narratively in this film that it's easy to overlook its technical side. Impressive cinematography and great editing aside, it was one of the earliest films to have wall-to-wall music. Not original score, but just music from the radio to evoke the feeling of being a teenager in the 1960s. It's a great collection of songs, and it gives the film both realism and a peppy upbeat sense of forward motion. If you can't already tell, I think this is an incredible film, with an intelligent, well-structured screenplay, that pays homage to an era and to childhood, while acknowledging that both must eventually end. Plus it's just a lot of fun, as well. Highly recommenced. *** So, anyone else who's seen these two movies, what are your thoughts on George Lucas's earlier films compared to his later, more well-known, work?

I just got done watching this on Netflix.

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